
Artist: Beth Waldman
Photographer: John Janca
Born in Princeton, NJ in 1975, Beth Davila Waldman pursued her career in the arts initially at Wellesley College where she earned a BA with degrees in art history and studio art. She continued her education at the San Francisco Art Institute with a second degree in sculpture where she was awarded the 2004 Harold E. Weiner Memorial Sculpture Award.
Since, Waldman has been awarded residencies by 18th Street Art Center, Kala Art Institute, Playa Institute, and Edition/Basel and participated in projects at Djerassi Art Residency. Waldman’s work has been featured in art fairs in Hong Kong, Mexico City, San Francisco, and Berlin. Her work has been featured in the De Young Museum’s OPEN Exhibition in 2020 & 2023 in addition to the Museum of Northern California in 2024. Waldman’s studios are currently in Los Angeles and Sausalito at the ICB.

Artist: Beth Waldman
Photographer: John Janca
Artist Statement
Beth Davila Waldman is a cross-disciplinary artist using photography, painting, assemblage and installation. Her work explores the impact of socio-political trends on cultural landscapes, often through imagery laden with indicators of economic and social status, presented in a manner that emulates the sheer stress of imposed change. Waldman’s constructed vistas re-conceive the notion of sanctuary amidst the realities of colonization, and invite meditations on civil access. Waldman imbues her work with a unique materiality by printing or transferring photographs on a plethora of materials—from tarp to sails, canvas to paper. She then often makes interventions into her work with paint and other substances. Her curatorial projects and writing are extensions of this practice.
Beth Davila Waldman is a cross-disciplinary artist using photography, painting, assemblage and installation. Her work explores the impact of socio-political trends on cultural landscapes, often through imagery laden with indicators of economic and social status, presented in a manner that emulates the sheer stress of imposed change. Waldman’s constructed vistas re-conceive the notion of sanctuary amidst the realities of colonization, and invite meditations on civil access. Waldman imbues her work with a unique materiality by printing or transferring photographs on a plethora of materials—from tarp to sails, canvas to paper. She then often makes interventions into her work with paint and other substances. Her curatorial projects and writing are extensions of this practice.
Aside from the First Tuesday Artwalk, the Chamber’s office is open Tuesday, Thursday, Friday and Saturday, 12-4pm.
