Posts Tagged ‘Marin Theatre Company’
Infused With the Spirit of RBG, MTC Continues 2022-23 Season With a SCOTUS-Inspired ‘Justice: A New Musical’ – Opens Feb. 16
The theatrical mashup of music and American history continues its world premiere here in Mill Valley, with Gunderson, Lowdermilk and Kerrigan presenting a new version of their groundbreaking musical fresh from its world premiere last Spring at Arizona Theatre Company.
Read MoreMarin Theatre Company Artistic Director Jasson Minadakis To Depart After 17 Years
The decision marks the end of a lengthy period of artistic continuity for an organization that has drawn plaudits throughout the Bay Area for rivaling in quality much larger production companies in the region.
Read MoreMarin IJ: ‘Dunsinane’ From MTC & Tam High’s CTE Conveys Senselessness of War – Thru Oct. 16
Marin Theatre Company has kicked off its 2022-23 season with a bang, leveraging a collaboration with Tam High School’s CTE and the prose of Scottish playwright David Greig for Dunsinane, a sequel to Shakespeare’s “Macbeth” that runs through Oct. 16.
Read MoreMarin Theatre Company Unveils Bold 2022-23 Season, Joins Forces With Tam High’s CTE
In launching its 2022-23 season, Marin Theatre Company is leaning on some wildly successful talents, a mix of classics and innovative new material and a collaboration with Tam High School’s Conservatory Theatre Ensemble.
Read MoreAdam Rapp’s Acclaimed ‘The Sound Inside’ Play Hits Marin Theatre Company – May 26-June 19
Directed by MTC Artistic Director Jasson Minadakis, the taut, literate mystery tells the story of “a brilliant Ivy League writing professor, a talented yet mysterious student and an unthinkable favor,” taking audiences “behind the ivy-covered walls of Yale, and into New York’s literary haven, Greenwich Village.”
Read MoreNwandu’s Electrifying Play ‘Pass Over’ Hits the MTC Stage – Thru Feb. 20
Marin Theatre Company returns this week with acclaimed playwright Antoinette Chinonye Nwandu’s provocative, electrifying play Pass Over, which reopened Broadway after the pandemic closures and drew “blazingly theatrical and thrillingly tense” raves from The New York Times.
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